Archive for the ‘Top 5’ Category
July 15, 2009 @8:00 am
(CELEBRITIES ONLY)

5. Mickey Rourke – Rourke reportedly states that his plastic surgery was a means to simply correct the imperfections caused by years of amateur boxing. Fair enough. Nose job, no problem. Cheek implants, not really necessary, but I hear he broke a cheekbone. But the lip implants, face lifts, etc. seem to go above and beyond the call of duty.

4. Leona Helmsley – “We don’t pay taxes. Only the little people pay taxes.” Ms. Helmsley was a tax evading hotel billionaire, and something of a tyrant. The Queen of Mean served 18 months in prison (reporting to the clink on, you guessed it, April 15… tax day). She saved enough of her fortune to succesfully mangle her face, however, before passing away from congestive heart failure at age 87.
She left most of her $4 billion estate to her own charitable trust, $15 million to her brother, $10 million each to two of her four grandchildren. The other two received nothing (allegedly because they did not name any of their children after their grandfather Harry). However, she did set aside $12 million to her dog Trouble. Aww!

3. Joan Rivers – Once the sidekick to late show legend Johnny Carson, Ms. Rivers has been the guinea pig for plastic surgeons since the late 80’s. But when her husband committed suicide just one week after she left him (she was having liposuction when she received the call), some speculated she spent many years and dollars trying to reinvent herself, to be somebody she never was: beautiful.
She is unabashed about having work done, and believes you should spend your money on you (literally). “Better a new face coming out of an old car, than and old face coming out of a new car.” Oh, the irony.

2. Donnatella Versace – Since taking over for her lat father Gianni, Donnatella has undergone a series of interesting procedures, the most notable being her lip augmentation, which looks to me like two inntertubes stuffed under her skin then inflated to the point of bursting. Botox forehead, breast implants, and who knows what else, we sort of have to question the taste of this couture fashionista, do we not?

1. Michael Jackson – The recently deceased (cause of death wildly speculative though still under investgation) King of Pop is obviously the most extreme case of a makeover gone awry. We all know of his troubled youth, his abusive father, and his never-ending desire to be a child at heart. But we also know that he used to be a black man.
One of the most important black men in history, as a matter of fact. He brought people of every shape, size and color together in rejoice. All of the infamy did nothing to assuage the troubles lurking beneath the surface. A severe addiction to pain killers, and what many speculate to be a passion to shed his ethnicity, lead to a series of incrementally damaging surgical procedures.
Not only did he lose the ability to not look startled, the ability to smell through his undersized triangular nostrils, and the ability to grow facial hair on his cleft chin without looking like a prepubescent criminal, but he also bleached his skin from head to toe supposedly in order to match the pigment loss caused by an apparent case of vitiligo, a condition also suffered by Chris Smith of the 90’s rap duo Kriss Kross.
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March 25, 2009 @11:39 pm
(AT THE CLOSE OF THE FIRST QUARTER, THAT IS)

If this is the direction Sufjan is taking his new material, he may just be album of the year worthy. Of course he may pull that off no matter what he decides to put out. This song—one of the stand-outs from the very stand-outish compilation Dark Was the Night—is so glitchy nasty filthy, and irresistable, I want to go swimming in the La Brea Tar Pits. “You are the blood, flowing through my fingers.” Maybe this is his way of purging all those damn Christmas songs from his blood stream?

The only thing I have to complain about is that we have to wait so long for a follow-up LP from Justin Vernon aka Bon Iver. I had the good fortune of seeing him play in Chicago earlier this year, and he played “Blood Bank” for the crowd. It’s such a great song. It finds Vernon leaving his falsetto behind for the most part, and showing us that even in the lower register, he can belt out emotionally connected, harmonious stories of love found then lost then found again.

I suppose the song title does kind of relate to the lyrics, but don’t let your prejudicial ways write this one off. It’s a poppy keyboard and synth-driven romp across the back streets of France, in search of some medicine that will remove this catchy tune from your cerebellum. Good luck with that. “And I won’t mind, what she decides to swear by.” Good lyrics to boot!

Take that Vampire Weekend. Who needs an “Oxford comma” when it “Sucks that daddy’s dumb”? Seriously though, I feel like Paul Simon and the Beach Boys got together at an LSD party and sang a prophecy of a future band who would one day distort and continue their legacy for generations to come. These guys just keep on getting better, it’s ridiculous.

This is the live version Grizzly Bear played last year on Letterman. The studio recording will show up this May (ahem) and I can only imagine it will be even more glorious and addictive than this version. From the hypnotic keyboards to the inclusion of “malaise” in the lyrics to the fact that my daughter loves it as much as I do… yeah, this might be a tough one to knock out of the top spot.
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March 1, 2009 @7:44 pm
(FROM LAST NIGHT’S SHOW @ BAM)
Apparently my “okay” review of Grizzly Bear last night ruffled some feathers. I wanted to follow up with a positive post about the show, and share with you my top 5 songs from the setlist:
As I mentioned above, this song also suited Droste’s reverbed crooning perfectly. “What now what now what now what now what?” The chorus had me transfixed and entranced, if I can be both at once. A very good song and performance.
The original song on the Yellow House LP already had some excellent arrangements. The way this song ebbs and flows is perfectly suited for some exciting moments with the Brooklyn Philharmonic, and the band did not disappoint.
3. “Deep Blue Sea”
I still feel that Rossen stole the show, I just love the guy’s voice. This song, from the Red Hot Organization’s Dark was the Night album, really showcased his songwriting and vocal prowess. “And it was mama, that got drowned in. In that deep, deep blue sea.” Tragic.
Droste sounds a bit like Jens Lekman during the first half of this song, in a good way. I found myself a little uninterested at first. But once the drums kicked in and the chorus took over, I was hooked. “They go we go, I want you to know, what I did I did.” Repeat. And again, and again. More lush, haunting lyrics, and Rossen’s falsetto harmonies later on… just lovely.
1. “Two Weeks”
I really was into the keyboard riff that drove this song. I remember them playing this one on Letterman a little while ago, and they did the song justice at last night’s venue. The song, for me, is a great demonstration of all of the band’s allure. Macabre barber shop harmonies, experimental arrangements, and wonderful vocal flourishes wandering back and forth, coming into focus just when you think you might lose them.
Songs I found a little flat include “Dory”, “Foreground” and “Reprise” (though I did enjoy the banjo playing on the latter).
Here are the other two songs from my list, though not from last night’s performance: “Deep Blue Sea”, and “Two Weeks”.
*Thank you to One for the Good Days, for the mp3’s above.
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February 12, 2009 @2:35 am
(BUT VINCE THINKS I REALLY SHOULD.)

Vince: Two kids, ones a vampire both in love. What a great plot. This film is beautifully shot, a stunning and original horror film.
Ryan: I actually really want to see this. It was not at many theaters and I didn’t get a chance to see it when it was out. I’ll be renting this DVD.

Vince: Really fresh movie making. One of the few movies that can make you happy, sad, happy, sad every 15 minutes.
Ryan: Sure, why not?

Vince: This is one of my favorite movies. A great achievement in style, characters, film making.
Ryan: Seems like a boring but beautiful film to me. And the protagonist, Harry Dean Stanton (he’s in Big Love now I think), I find to be somewhat turnoffish.

Vince: Beautiful movie. Rich with texture, great film making, amazing story. Javier Bardem’s performance is stunning, one of the best true story reenactments that I have ever seen.
Ryan: I like Javier Bardem, but that Julian Schnabel dude really irks me in interviews. I don’t know why. I’ll give this film (and his Diving Bell films) a chance, eventually.

Vince: No explanation needed here. Hands down one of the best movies this year. Mickey Rourke, Darren Aronofsky, Pro Wrestling and Marrisa Tomei are enough to get me in the theater.
Ryan: This one is heavy on my radar, as in NEXT UP. I want to see it before the Oscars so I can firmly say whether or not Slumdog is as unbeatable as I think it is.
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December 28, 2008 @2:17 am
(MOSTLY MELLOW COVERS, MIND YOU.)
Since the lawsuit is for plagiarism, I will go on a limb and preemptively call Viva la Vida… a cover of Joe Satriani’s 2004 song “If I Could Fly”. But only to make a joke. Hardy har. I don’t really like either song though, but it made for a good giggle, right?
4. Mark Kozelek (Low)
“Lazy”
Surprise surprise. Mark Kozelek on a Liftingfaces Top 5 list. But seriously, this is a good cover, and here’s why: Who would have thought Mark Kozelek would take a song by Low and actually make it happier? Not I.
Aphex Twin’s original “Girl/Boy Song” is one of my favorite songs ever. So I spotted the carnivalesque plucking in Adem’s medley straight away. He managed to make this work, adding in vocals from a different Aphex Twin track. In a word: wonderblissfullness.
2. Calico Horse (Radiohead)
“Idioteque”
I’m a sucker for taking up-tempo songs and dipping them in molasses (see my number 3 cover), and this is no exception. I’m not as tuned into Calico Horse as a band, but this cover jumped out at me and clung to my black designer sweater like my golden retriever’s tail hair. Ummmm, yeah, okay, moving on.
1. Yael Naim (Britney Spears)
“Toxic”
This was a clear winner for me. You’ve probably heard it already, but who cares, listen again…and again and again. It goes to show that underneath the caked on foundation and fake eyelashes and silicone breasts of pop music, there are actually some good songs.
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December 19, 2008 @8:00 am
(HOLIDAY TRAGEDIES)
5. “I’m Gettin’ Nuttin’ for Christmas” by Barry Gordon
Normally a bratty kid would deserve coal in his stocking without further thought. But I can’t help but hear undertones of parental neglect, thus leading to a child’s need to act out, running beneath the playful lyrics. I feel for him, I know that pain.
4. “Snow Angel” by Over the Rhine
A song about a woman whose lover falls onto the snow and dies. A Merry Christmas indeed. The singer, Karin Bergquist, told me she had to record it in pieces, from the end to the beginning, because she kept breaking down. You can blame her husband Linford for that one.
3. “All I Want for Christmas is My Two Front Teeth” by George Rock
On the surface, this song doesn’t sound that tragic. But when you think about it for a minute, it’s sad, because you and I both know this kid isn’t getting his teeth in time for the holidays.
2. “Christmas Card From a Hooker in Minneapolis” by Tom Waits
So sad you want to laugh, this love letter from a (you guessed it) hooker in Minneapolis, to a guy named Charlie, is tragic indeed. She bares her soul to this man, but can’t even keep half of her lies straight. Turns out she just wants some money. Go figure.
1. “Grandma Got Ran Over by a Reindeer” by Dr. Elmo
It’s bad enough grandma got drunk and then got trampled by a reindeer, but grandpa watching football on the couch as if nothing even happened? Man that’s cold. The ultimate tragedy, presented in a darkly comedic format.
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December 5, 2008 @8:00 am
(THE ONES IN OUTER SPACE)
5. MIMOSA (350 Light Years)
4. JOB’S COFFIN (100 Light Years)
3. DERF (100 Light Years)
2. SHAM (500 Light Years)
1. TELESCOPIUM (75 Light Years)
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November 9, 2008 @1:50 am
(RECORDED SINCE 1700 A.D.)
5. California, United States (113 attacks, 15 fatal)
4. Queensland, Australia (103 attacks, 38 fatal)
3. New South Wales, Australia (140 attacks, 61 fatal)
2. Natal, South Africa (214 attacks, 41 fatal)
1. Florida, United States (577 attacks, 13 fatal)
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October 21, 2008 @12:30 am
(FOR BOYS, MOSTLY)
5. HAL (short for Harry)
I’ll go into more detail a few names down, but ‘Harry’ is a variation of ‘Henry’, and the Normans didn’t like pronouncing the letter ‘R’ very much, and so the shortname for ‘Harry’ might have been ‘Har’ (pronouced ‘hair’), but the ‘R’ became an ‘L’ and this is where ‘Hal’ came from.
4. DICK (short for Richard)
So now we know the Normans didn’t like pronouncing the letter ‘R’, right? This means that while ‘Rick’ was a more obvious nickname for ‘Richard’, the Normans traded the ‘R’ with a ‘D’ leaving us with the flattering nickname ‘Dick’.
3. CHUCK (short for Charles)
Once I learned the root of ‘Charles’, this one wasn’t that odd, but I serve these names up to you on the premise that this knowledge is obscure at best. Apparently ‘Charles’ in Middle English is ‘Chukken’, which is where the nickname ‘Chuck’ stems from. That was easy, wasn’t it?
2. JACK (short for John)
The Norman/English have commandeered my top 5 list again. This time they went and added a term for ‘little’ onto many of their names. That suffix was ‘-kin’. So Jenkin (or little John) became corrupted into ‘Jakin’, which subsequently became truncated into ‘Jack’. Well, duh!
1. HANK (short for Henry)
Similar to ‘Jack’, there was a variation of Henry called ‘Henkin’, which also became ‘Hankin’, then truncated to ‘Hank’. Once you know about the ‘-kin’ suffix it makes some sense, but without that insight, it’s mighty arbitrary looking.
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October 18, 2008 @1:09 am
(RAP, NOT HIP-HOP)

5. DJ Muggs
He started making latino-infused heavy beats with Cypress Hill, and then went on to make “Jump Around” with House of Pain, just one of the members of the classic Soul Assassins group. I’ve always liked the style of Muggs records, and was highly impressed when he teamed up with Wu-Tang’s Gza to record an impressive comeback record entitled “Grandmasters”. I’d say he’s one of the more underrated and overlooked producers around.

4. Pete Rock
For “Mecca and the Soul Brother” alone, Pete Rock makes my top five. He also produced one of the only Run DMC songs I really liked, “Down With the King”. Add to this his work with Wu-Tang on his solo album “Soul Survivor”, and you have one of the most consistent producers of all time.

3. Dr. Dre
Though he wouldn’t make my top 50 as an emcee, you would have to be a fool to exclude Dr. Dre from any top producers list. He is too humble to admit it, but you can thank Dre for the success and exposure of both Snoop Doggy Dogg and Eminem. He proved on “The Chronic” that he could meet and exceed the legendary status of his original group N.W.A. Dre is a machine in the studio, he just doesn’t quit. He’s got a new album coming out with Eminem, and one final solo album before he shifts his focus exclusively to other artists.

2. DJ Premier
Anyone who can make Guru sound dynamic on a track knows a thing or two about producing. He and Guru were better known as Gang Starr, and put out some of the grittiest albums of the 90’s. It doesn’t hurt that Premier kept that tonality alive with some of the most memorable tracks for artists like Nas, Rakim, Jay-Z, Notorius B.I.G., Dilated Peoples, Common and KRS-One. His best single track, however, has to be Jeru the Damaja’s “Come Clean”.

1. Rza
This one was sort of a no-brainer for me. I like to think of the Rza as the Tarantino of rap music. Which was why it didn’t surprise me when he was asked to compose some music for the Kill Bill films. Wu-Tang, when they came on the scene with their ensemble cast and ghetto music videos, changed the game as we all knew it. He took shaolin samples and the kung-fu vernacular and fused it with break beats, and the results were revolutionary. I’m still waiting for another “Enter the 36 Chambers,” but in truth, we only need one of those for a lifetime.
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