Archive for the ‘Music’ Category

August 20, 2010 @12:51 pm

Review – WOOM – “Muu’s Way”

WOOM

Rating: 70%

Sara Magenheimer and Eben Portnoy holed up in a barn in Massachusetts in the dead of winter for two months, in what ended up being a bit of a musical cleanse. They went into the barn as Fertile Crescent and came out (re/unborn?) as Woom. The album I am reviewing is a product of this retreat. It is called “Muu’s Way.”

How to describe Woom in a way that actually means anything? I’m so (un)happy you asked me that question. It’s scarcely worth doing a comprehensive sounds-like study here (though Deerhoof, The Acorn, and Cocorosie spring to mind), so in the spirit of the band and their style of songwriting, I’ll do it with a bit of poetic hyperbole:

Imagine, if you will, a beautiful girl beckoning you to come closer. She has a secret, and she is so sweet looking you want to squeeze her. Your ear is close to her lips, you can feel her breath (it smells like mint leaves and sea breeze) and just as she’s about to coo something meaningful into your ear, a car horn blares, and the girl is gone.

Okay here’s a simpler one: “Someone spiked my Shirley Temple,” I cried, “but I can’t stop drinking it. I don’t even drink!”

WOOM

Woom is a band who does a lot with negative space. So much so that I was surprised to discover the ten track album barely crossing the thirty minute mark. They have the clickety-clack thing down pat. They’ll tap a pencil on a plastic cup to create a percussion bed, no problemo. Sara and Eben run this show with their voices more often than not, after all. Leads and harmonies linger longer than the bleeps.

The staccato nature of the songs also linger, for better or for worse. It is a bit of an anti-momentum LP which doesn’t allow you to let it fade into the background. Which is great if you don’t aren’t seeking full contentment. I personally like holistic experiences, however, and Woom certainly show their under-feathers more than once, giving me hope that this album is the beginning of a continued refinement.

That’s not to say this is a train wreck by any means. But it’s a slippery slope. Cocorosie, for example, haven’t repeated their debut success to date. But with Woom, whenever the train is about to derail into an art college dorm room jam session, they bring us back. “OK… OK… OK…” we hear at one point, as if they knew they were misbehaving.

As we meander through the album (and meander is the best word for it), we hear stories both poetic (“Circle on the surface, black blood on the white snow. It’s coming and coming and coming down, a strange style of voices.”) and literate (“Rafael, pull off the black balaclava. Put your ass down on the sofa. We’ll have some coffee and talk.”). It’s a mix I like, and this from a guy who doesn’t like mixed drinks (see above).

WOOM

Standout tracks include “Quetzalcoatl’s Hip,” a quirky, seaside hymn about bottled ships and burials including a steel cameo near the end. I can’t help but think the title has a bit of wordplay in and of itself.

“Back In,” plays like an unplugged song The XX might have written if they stopped flirting with one another for more than two seconds.

Lead track “Backwards Beach,” beaches us onto the sandy shore of Woom Island in a wash of electro-sea swells, only to land on a beach haunted by sunny, strummy jangles and palm trees swaying to a sing-song breeze.

“Under Muu,” is a wonderful instrumental worth noting. It really reminded me of something The Acorn might have written and played, and I wouldn’t complain about an all-instrumental album from WOOM in this very tone; it’s excellence incarnate.

“Judith,” ends the album on an experimental note, with bleeps and glass breaks held together by the vocals like a piece of perfume-scented scotch tape. With this closing track, Woom appropriately remind us (and themselves?) who they are, and most importantly who they are not.

Personally, I do like them for who they are. But I want to love them for who they might become. We’ve reached a cruising altitude together, but are you equipped to take us out into space on our next expedition? Until then, I’ll sway and twitch to Woom’s sweet, strange take on music-making, and wander their melodic madness, one clickety-clack at a time.

Mp3. “Back In”
Mp3. “Quetzalcoatl’s Hip”





August 9, 2010 @10:30 pm

Sun-Up/Sun-Down Mix

Sun-Up/Sun-Down

“Sun-Up/Sun-Down” Mix

It’s late in the Summer, I know, but if your hometown is anything like mine, it seems we’ll never see the Fall. So I put together a late-Summer mix, sequenced in such a way as to evoke a time of day evolution, from the dust motes swimming in the early morning shafts of sunlight, to the evening headlights commingling with a sky full of stars, and everything in-between.

01. Cults Go Outside
02. Marina and the Diamonds I Am Not a Robot
03. School of Seven Bells Windstorm
04. Soft Landing Baptism
05. Ratatat Bare Feet
06. The Books Beautiful People
07. Wild Nothing Summer Holiday
08. Mumford & Sons The Cave
09. Local Natives World News
10. Arcade Fire The Suburbs
11. Active Child Weight of the World
12. Phantogram As Far As I Can See

Download Mixtape.





July 2, 2010 @1:45 pm

Beyond Beirut, a Soft Landing

Soft Landing

For those wondering when new Beirut material might bless your ears, fret not. Paul Collins, Beirut’s bassist has started a new project called Soft Landing. While on a break from touring with Beirut in Brazil, he stole fellow bandmate, accordionist Perrin Cloutier and a friend from college. They spent every waking moment while on break to write and practice.

When all was said and done, they had enough material for an LP, which they recorded in Chicago with Griffin Rodriguez (frontman of Icy Demons). The album is due out this Fall on BaDaBing Records (Beirut, Shearwater, Sharon Von Etten, Damon & Naomi, WOOM, etc.).

I’m happy to share a track from that album with you here. It’s called “Baptism,” and it’s good.

“Baptism” – Mp3

In just one song, we discover a sound very distinct from Condon’s, though not a world apart by any means. There is still an infatuation with international sounds, wide influences, infectious songwriting. They enjoy their instruments and play them well. The music, the writing, it is for real, not extra-cirricular. The music swells and simmers, drums roll forward fervently, guitars wash over us, and everything just feels easy breezy.

Collins holds his own as frontman here, too, though his vim and conviction as bassist for Beirut makes this no surprise. Vocally, I’m reminded a touch of Goeff Farina of Karate fame, which is a good thing. Slightly flat notes (on purpose!) and a quasi-croon floating with an injured wing over the compositional gaps are welcome and distinctive. I like it. Do you?

If this first song is any indication, their self-titled debut should stand on its own in the way Daniel Rossen’s Department of Eagles project succeeded a couple years back. The question will be whether Soft Landing can keep up this prolificness while double dipping in two active bands. I’m sure several multi-act independent artists wish cloning were commonplace, then they could tour in two places at the same time. Imagine that!

Tour Dates:

July 14th – The Rock Shop, Brooklyn

July 23rd – Denver Biennial, Denver

July 30th – Bruar Falls, Brooklyn





June 17, 2010 @10:45 pm

Musical Musings…

Musical Musings...

Memoryhouse
“The Years”
Mp3. “Lately”

If Zooey Deschanel made morning music with Stars of the Lid before she had her first cup of coffee, and she sang without that subtle-but-evident hipster irony I have come to associate with She & Him, you’d have a rough idea of what Memoryhouse sounds like. Of course, they are also totally better than that cheesy metaphor. Wait. What?

Mumford & Sons
“Sigh No More”
Mp3. “The Cave”

It’s as though Fanfarlo hired Ricky Skaggs to run back up, and Amy Grant helped with some of the writing (to get the “Faith” bits just right). Of course, this melange sounds awesome, and if you can tolerate (and appreciate) the bluegrass undercurrents, then you’ll enjoy this band. Oh, and they’re not from America! Is that a bonus? I don’t know.

JBM
“Not Even In July”
Mp3. “Cleo’s Song”

Imagine Jose Gonzales and Jim James had a baby (it can happen, ask Devito and Schwarzenegger), and this child was raised on Great Lake Swimmers (before they left the silo). The haunting melodies and tragic undercurrent somehow makes this even better than that.

Local Natives
“Gorilla Manor”
Mp3. “World News”

A new kind of anthem band. This one eschews instrumentation in favor of barbershop harmonies and mixes mundane lyricism (“The lane next over’s always faster”) with profound delivery (see “Who Knows Who Cares”) to create one of my favorite albums this year.

Josh Ritter
“So Runs the World Away”
Mp3. “The Curse”

If Joanna Newsom leased out her patent on wordy songwriting, you’d have two of the tracks from Josh Ritter’s latest album figured out. If you made one of them about a mummy who falls in love with a female paleontologist (“The Curse”), and the other about a Christopher Columbus type searching for a paradise in Antarctica, well then you’d have discovered two of the best songs this year.

The National
“High Violet”
Mp3. “Conversation 16″

Pretend you combined all of the previous albums by The National, set the blender to low, then poured your concoction into a drinking glass that was shinier than the one you drank your morning milk in. Oh, and if a close listen to “Vanderlyle Crybaby Geeks,” doesn’t make you a wee bit weepy, you’re inhuman (subhuman?).





February 16, 2010 @2:53 pm

Owen Pallett & Christopher Cross

Christopher Cross and Michael MacDonald perform “Ride Like the Wind,” together live in 1998. Michael MacDonald covers “While You Wait For the Others,” by Grizzly Bear. Owen Pallett opens for Grizzly Bear at BAM in 2009. Owen Pallett sounds an awful lot like Christopher Cross. I’m… Just… Saying…





December 16, 2009 @4:56 am

The Indie Music Alphabet 2009!!

Because I am a glutton for punishment, and still determined to put out a list unlike the rest of the year-enders out there, I bring you the 2nd Annual Indie Rock Alphabet. Despite what some people might tell you, I count 2009 to have been a great year for independent music. We are seeing the major labels crumble all around us, and the indie labels rise up through the new channels like Myspace, Facebook, Twitter, iTunes and eMusic.

A note about this list, for those who weren’t around last year to read the first one. This is not (cannot) be the top 26 bands of the year. No, rather, consider this a collection of twenty-six Top 2 lists (I’ve added a Runner-Ups this year as a bonus), one for each letter.

My alphabet would like to give a special thanks to DJ Quik, who put out a decent album with a couple very standout tracks. And also to The XX, who swooped down like an angel from the sky when I discovered that xiu xiu would not, in fact, be putting out an LP this year. And of course a warm thank you to Zaza, who made a short but great album to close out the list.

I personally would like to thank Leo Reynolds, who has allowed me to use his vast collection of found letters from his Flickr page. I recommend checking out his collections when you have a chance.

One final note, at the bottom of the alphabet you will find links to all of the songs from the list in two handy volumes.

So without further ado, here is the list…


Indie Rock Alphabet

Animal Collective – Mp3

Not putting Animal Collective on my list would be like betting against the Chicago Bulls to win the championship in the 90′s. “Merriweather Post Pavilion,” was one of the best albums of the year. Period. And their follow-up EP, “Fall Be Kind,” was better than 90% of the LP’s put out this year to boot. Animal Collective are in this bizarre situation where, instead of over-thinking how they are going to outdo themselves, they simply continue to polish and refine the sound which put them on the map to begin with.

Runner-Up: The Antlers – Mp3


Indie Rock Alphabet

Bat For Lashes – Mp3

“Two Suns,” Bat for Lashes’ sophomore album, is in many ways just as good as her debut, “Fur and Gold,” and in a few ways even better. As I loved 4AD at their apex, and 25% of Björk’s music, I love Bat for Lashes. Her music transports me to a damp, misty jungle where an evil temptress prowls beneath the  unseen. There is a confidence this time around which suits her style of music well. You can hear it on the first notes of the first track, where she gives Lisa Gerrard and Kate Bush a run for their money as music’s most hauntingly angelic vocalist.

Runner-Up: Beirut – Mp3


Indie Rock Alphabet

Neko Case – Mp3

Why not keep it rolling with another great female vocalist? Neko Case, who you might know from the New Pornographers. Or maybe not. In any case, she has released “Middle Cyclone,” this year, a great follow-up to what I consider her strongest album, “Fox Confessor Brings the Flood.” She keeps pace with the latter, invoking the same effortless melodies, the same signature nasally croon over top well-composed music. Her songs are confessionals, as evidenced in the opening track “This Tornado Loves You,” which includes lines like: “I have waited with a glacier’s patience, smashed every transformer with every trailer ’til nothing was standing… sixty-five miles wide.”

Runner-Up: Bill Callahan – Mp3


Indie Rock Alphabet

Alela Diane – Mp3

Alela Diane doesn’t do anything fancy; she just does what she does, and she does it well. Unlike other singer/songwriters who are usually stronger at the one or the other, Diane puts the two together in perfect accord. On “To Be Still,” Diane delivers her crystalline vocals in their most haunted capacity — like an off-key harp in an empty ballroom — and sings lines like: “The sea beneath the cliff is the blue in my mother’s eyes that came from the blue in her mother’s eyes,” effortlessly. I’m also a sucker for acoustic guitar, violin, and yodeling coming together to form a spooky set of murder-folk laments.

Runner-Up: Dan Deacon – Mp3


Indie Rock Alphabet

Espers – Mp3

With “III,” their fourth LP, Espers takes us to a forgotten time, when magistrates would bring thieves before the king to receive their punishment, when bards and court jesters danced merrily about, when queens wrought devious plans to overthrow their own husbands. But I digress. Somehow, Espers manage to do this almost entirely through the vocal stylings of Meg Baird and Greg Weeks. I remember The Decemberists trying to evoke a medieval epic feeling on their “Tain,” EP, but when compared to Espers that album was but a Renaissance Faire to Espers’ War of the Roses.

Runner-Up: El Goodo – Mp3


Indie Rock Alphabet

Fanfarlo – Mp3

I fell in love with Fanfarlo earlier this year (see previous post), and haven’t grown tired of their album ever since. It took most of this year for their debut LP, “Reservoir,” to “catch on” (they were a big hit at SXSW this year, so I hear), but they are finally starting to get the credit they deserve. On first blush, you can cite a dozen or more influences (Radiohead, Arcade Fire, Coldplay, Beirut, etc.) but these similarities are a product of zeitgeist rather than derivation. When you put together their sweeping movements, vivid storytelling, and minor-key harmonies, they become something more sincere than secondary.

Runner-Up: Fever Ray – Mp3


Indie Rock Alphabet

Grizzly Bear – Mp3

Perhaps the most anticipated and subsequently acclaimed album of 2009, Grizzly Bear’s, “Veckatimest” (I lost count of how many people I have heard correcting others on the pronunciation of this word) is an amazing piece of song craftsmanship. I use that word because every note, every syllable is right where it needs to be, the harmonies refined to the point of androgyny, each instrument chosen and tuned with the precision of a scientist at CERN. But no matter how spit-shined their songs end up, the magic of the song’s original intent is never lost, only enhanced. That’s a rare gift, and it’s why Ed, Daniel, Chris and Chris have made one of the best albums of the year.

Runner-Up: Girls – Mp3


Indie Rock Alphabet

Richard Hawley – Mp3

Of all the male singers actively recording music, Richard Hawley has the best croon of them all. Jonathan Meiburg may win out in the upper register, Thom Yorke might emote more angelically, but Hawley is quite simply the deserving heir to Sinatra and Bacharach, no question. The difference between Hawley and his contemporaries, however, is that Hawley used to play guitar for Pulp, and is also an amazing composer. If you don’t believe me, check out the slow build and epic sweep of “Soldier On,” from his latest LP, “Truelove’s Gutter.”

Runner-Up: Holopaw – Mp3


Indie Rock Alphabet

Islands – Mp3

Islands manage to take everything I like about Of Montreal and refine it into something less esoteric yet more memorable. Listening to Islands is like eating a Jolly Rancher, no matter how long you turn it over in your mouth, the flavor never dies. Their follow-up LP, “Vapours,” is chock full of catchy tunes and worth-while hooks and melodies. While a little more pop/dance than their former band, Unicorns, Islands are no less diverse and catchy.

Runner-Up: Iron & Wine – Mp3


Indie Rock Alphabet

jj – Mp3

Vampire Weekend, eat your heart out. Alaska in Winter, take note. jj burst on the scene this year with little-to-no introduction, and at this point, other music investigators have gleaned little more than their record label and their alleged names. In a strange way, I almost prefer it this way. Their debut LP, “jj n° 2,” is only 26 minutes long, but they manage to take us from the African savannah to the Caribbean shoreline without ever leaving the keyboards in their bedroom.

Runner-Up: Jóhann Jóhannsson – Mp3


Indie Rock Alphabet

Kronos Quartet – Mp3

This string quartet have been recording music since 1973. Most readers will probably recognize them most recently by their contribution to the“Dark Was the Night,” compilation this year. Their brand of orchestration traverses genres like international flight attendants, but their latest album, “Floodplain,” is something a bit different. “Floodplains,” was created as an homage the cultures who dwell in “areas surrounded by water and prone to catastrophic flooding,” in collaboration with different musicians from around the world. From Serbia to Egypt, from Lebanon to Ethiopia, the songs are as diverse as they are marvelous to experience.

Runner-Up: Knight School – Mp3


Indie Rock Alphabet

Land of Talk – Mp3

Justin Vernon (of Bon Iver) produced “Some Are Lakes,” Land of Talk’s debut LP. Whether or not we owe this to Vernon alone is unlikely, but I certainly don’t think his presence could have hurt. You can certainly hear some of his balladry skills on slower songs like “It’s Okay.” Before this LP, I didn’t really know much about Land of Talk. But after “Some Are Lakes,” I have to mention them in the same breath as bands like Rosebuds, Rilo Kiley, Stars, even a little Delgados in there.

Runner-Up: Jason Lytle – Mp3


Indie Rock Alphabet

The Middle East – Mp3

The only bad thing about The Middle East’s self-titled LP is how long it took me to discover it. When I had heard “Blood,” on the radio one afternoon, I realized at once that I was discovering one of the most promising bands of 2009. This Australian foursome sing their bedroom lullabies from the cliffs of an angry sea. At times quiet singer/songwriter, other times soaring ambience like Sigur Rós, and yet other times capable of Explosions in the Sky type intensity. But those characteristics — along with a falsetto that would make Jeremy Enigk shed a prideful tear — are the things which set The Middle East apart from 90% of their peers.

Runner-Up: Cass McCombs – Mp3


Indie Rock Alphabet

Marissa Nadler – Mp3

Marissa Nadler has returned in 2009 with ten more songs of unforgettable melancholy on her fourth album, “Little Hells.” The gothic, snowy cemetary stylings are still there, in all their murderous wonder. While she hasn’t strayed far from what gained her notoriety, Nadler still manages to embellish her voice and guitar with organs, adding weight to her otherworldly elegies. I can always listen to Marissa Nadler, regardless of time of day, mood, or shirt color.

Runner-Up: Neil On Impression – Mp3


Indie Rock Alphabet

Other Lives – Mp3

Any time you can fuse the allure of Brit Pop with the best instrument ever made: the piano, you know you have a recipe for success. Other Lives self-titled LP sounds like what might happen if Rufus Wainwright and Danny McNamara of Embrace came together and made an album. Every song is woven together with the grace and beauty of the former, and the minor-key earnestness of the latter. “Black Tables,” might be the most beautifully somber song I’ve heard all year: Right up there with The Middle East.

Runner-Up: Old Jerusalem – Mp3


Indie Rock Alphabet

Phantogram – Mp3

I really had Portugal. The Man, as my pick for “P” going into the end of the year, but then I was introduced to Phantogram by a friend. This album is the perfect answer to my affinity for “sad bastard music,” as others have so eloquently put it. The reason it’s perfect is that the hint of melancholy persists under the funky basslines, angelic vocals, and crispy break beats. This is a rock album by definition, but plays like more of a melange in practice. The whole album exists within its own microcosm, and when you play it from beginning to end, it feels you’ve been taken inside the band’s psyche and spit out on the side of the road on a rainy night.

Runner-Up: Portugal. The Man – Mp3


Indie Rock Alphabet

DJ Quik and Kurupt – Mp3

One of the best West Coast “Rap” songs ever made was DJ Quik’s “Tonite.” I think he was something like 19 at the time. Kurupt, when he emerged on Dr. Dre’s “The Chronic,” in 1992 as part of Snoop’s Dogg Pound, was the West Coast’s answer to Inspectah Deck. These two coming together trumps Muggs and Gza from a couple years back, and while I haven’t found a West Coast rap album I’ve liked from start to finish since… well… “The Chronic,” there are indeed enough solid tracks on “BlaQKout,” to warrant a “Q” slot.

Runner-Up: Quiet Village – Mp3


Indie Rock Alphabet

Raekwon – Mp3

I remember that first video from Wu Tang Clan in 1993 (“Protect Ya Neck”) like it was yesterday. More than a dozen of the baddest looking rappers I’d ever seen were mugging the camera, some hooded, some masked, some with a mouthful of gold teeth. The music was “hard” in the sense that you felt like a bad-ass just rapping along, trying to guess who was who. Wu Tang have since become musical legends, and Raekwon is one of the few members who has had a critically acclaimed solo career with any consistency. Which is a shame, because my favorite member, Inspectah Deck, cannot claim the same accomplishment. Never fear, for the song I’ve chosen from “Only Built for Cuban Linx II” includes a memorable verse from the Rebel INS himself, taking us back to the grimy streets of Staten Island.

Runner-Up: Real Estate – Mp3


Indie Rock Alphabet

Sunset Rubdown – Mp3

The grandmaster of melodrama is at it again; Spencer Krug (who released albums with Sunset Rubdown and Swan Lake this year) continues adding to his repertoire of one-of-a-kind Shakesperean Anthems. His voice isn’t for everybody, but for me it really adds to the baroque and off-kilter presence his songs tend to have. You never know where his music is going to take you. You may start out under the impression you are listening to an 8-bit laptop folk song and wind up in the middle of a palatial indie opera complete with crashing cymbals, chaotic keyoards, lavish harmonies and soaring guitars. That’s just the charm of Krug, and with Sunset Rubdown he remains the central figure from start to finish, just the way I like it.

Runner-Up: Surfer Blood – Mp3


Indie Rock Alphabet

The Twilight Sad – Mp3

God, this album is good. I’ve never been to Scotland, but after a good listen to The Twilight Sad’s sophomore LP, “Forget the Night Ahead,” I feel like I’ve walked beneath its overcast skies, crossed its rocky hillocks, wended my way through its gnarled forests. What is most impressive about these guys is that—regardless of how messy and distorted the electric guitars get—there is an underlying cohesion which holds up against the very best rock anthems. This is a compliment of the highest order, and if anybody writes The Twilight Sad off as post-rockers with funny accents, you’ll know they haven’t actually listened to their albums.

Runner-Up: Tiny Vipers – Mp3


Indie Rock Alphabet

Uninhabitable Mansions – Mp3

Here was a case where I discovered the band on my quest for a viable “U” candidate. U.N.K.L.E. hadn’t put out any material (and frankly, I haven’t enjoyed an U.N.K.L.E. record in some time), and the Unicorns are still broken up (but at least we have Islands, see above). Fortunately, Uninhabitable Mansions appeared just in time. Their album, “Nature is a Taker,” is chock full of jangle pop of the sunniest disposition, enough to make The Magic Numbers proud. Their sound falls somewhere betwen Beach Boys, Pavement and Buddy Holly; but you be the judge.

Runner-Up: UUVVWWX – Mp3


Indie Rock Alphabet

Volcano Choir – Mp3

There’s that pesky Justin Vernon again. He shows up in the strangest of places, always wearing that amicable Midwestern smile, always making unique and beautiful music. This time he’s partnered with fellow Wisconsinites, Collection of Colonies of Bees, under their collective moniker Volcano Choir, and the results are unexpectedly astounding. After “For Emma, Forever Ago,” it may have seemed a stretch to pair Vernon’s songwriting and song-playing with experimental electronica. But what he hinted at on his “Blood Bank,” was only but a snippet of the success to be discovered on Volcano Choir’s debut album, “Unmap.”

Runner-Up: Sharon Van Etten – Mp3


Indie Rock Alphabet

Wild Beasts – Mp3

I had heard a song from Wild Beasts earlier this year, before getting my hands on their full-length release, “Two Dancers.” And while I thought the song itself was pretty cool, I was not prepared for the baroque, flamboyant, intense, melodramatic, and confident display of this LP. Just about every song on this album is a full-on experience to be remembered. Like some of my favorite bands (see Sunset Rubdown, above), Wild Beasts put many of their songs together as multi-part movements. We soar and we dive, we hoot and we howl, and we love every twist and turn. Hayden Thorpe’s voice is unlike any I have heard before. Highly recommended stuff.

Runner-Up: Women – Mp3


Indie Rock Alphabet

The XX – Mp3

You don’t need me to say it, but for a someone who has taken on the challenge of putting together an Indie Alphabet for the second straight year, having a band with the letter X in its name is as sought after as a Park Place sticker at McDonald’s during Monopoly month. But for that band to have two X’s in a row—and to also be one of the best bands on the entire list—well that’s just divine intervention. This male/female duo sing lazy verses over tightly produced tracks with the care-free confidence of Massive Attack in their hey-day. Like two star-crossed lovers breaking up then falling in love all over again, XX keep us transfixed at the spectacle of themselves. And it hurts so good.

Runner-Up: Xylos – Mp3


Indie Rock Alphabet

YACHT – Mp3

On paper this album shouldn’t appeal to me: off-key singing over strange 80′s post-industrial synth pop; tried and tired vocal distortions and samples; and the occasional techno beat for good measure. But what you don’t get in words you can certainly hear on their album, “See Mystery Lights.” The very quirks and oddities which shouldn’t go together somehow work. And to bluntly summarize: this album is damn good!

Runner-Up: Yo La Tengo – Mp3


Indie Rock Alphabet

Zaza – Mp3

We’ve made it to the letter “Z” at last. And a fine note to end our journey on. Zaza have only just begun putting out material, but already you can feel their knack for rich orchestrations and opium den atmosphere. Their album, “Cameo,” emits a lush ambience from start to finish; drums, vocals, organs and guitars melt into one, and everything seeps into your skin like a local anesthetic. In short: achingly hypnotic music to send you into a trancelike state until the next Indie Alphabet comes along.

Runner-Up: Zola Jesus – Mp3


Volume I. Download
Volume II. Download





November 21, 2009 @3:48 pm

Review – Twilight City Fracture – “Exist”

Twilight City Fracture - "Exist"

Rating: 74%

If there was such a thing as post-hardcore shoegaze, Twilight City Fracture certainly would fit the bill. Their latest EP, “Exist,” is drowned in nostalgia yet works at carving out a relevance all its own. To grossly oversimplify their sound, think somewhere between Pat Benatar’s “Love is a Battlefield,” and Jawbreaker’s “Oh Dear.” “Dear You.”

Regardless of whether that comparison frightened or excited you, I recommend giving these guys a good listen, because they have me convinced that I should rise up and fight against the daily oppression of my relatively sheltered life.

I used Benatar because somehow Twilight’s sound manages to transport me to those fake late-80′s Hollywood city sets, where hipsters (before they were called hipsters) would dance around the lead singer at night, for no apparent reason, celebrating their suburban liberation around flaming trash cans and abandoned shopping carts. After the first couple of listens, I immediately wanted to go and watch Lost Boys and Toy Soldiers back-to-back, but I decided to write this review instead.

As far as I can tell, Twilight City Fracture are a local band from Lacey Township, New Jersey, who are gaining some notoriety. “Exist,” was put together with veteran producer Jesse Cannon (Saves the Day, The Cure, Tiger Mountain), and I have to say, the sound is tight and consistent across each of these five tracks. Special props go out to the clever use of guitar, sometimes eliciting a punk rock vibe, while other times transporting me into the cosmos where I watch down upon a post-apocalyptic Earth in ruins.

Twilight City Fracture - "Exist"

If I dig beneath the fuzzy electric guitars and crashy percussion, I can glimpse other influences as well. The way they put harmonies together seem to break that post-hardcore mold enough to earn a shoegaze or dream pop subtitle. More Twilight Sad than Grizzly Bear, though; more Mogwai than Sigur Rós.

The lead off track, “Edward”, plays like an anthem for the thirty-something broken-hearted. A rally cry intended to soothe the inner gen-exer in us all. Before the guitar kicks in in the first few seconds, I thought I had accidentally hit play on the latest Arms & Sleepers album. “Legend on Louisiana,” rises and falls like a stormy sea, and has a spacey undercurrent running through its veins to allure the non Jets to Brazil regime.

Wrestling the proverbial inner-demon while channeling those feelings in the form of borderline over-emotive music seems to be Twilight’s mainstay on this album. They tread a thin wire, however, and flashes of the trite slip in here and there. Lines like “maybe wonder why the media has your mind turned upside down,” feel more like Fall Out Boy excerpts than something substantial. Others, such as “I’ve seen through the devil’s eyes and I’m going blind,” are too literal to be taken seriously. If they can forego some of this blatancy in favor of something a little more abstract and poetic, I can see these guys gaining even more of a following.

There is a collective “WE” spanning these songs which only reinforces that collective angst I was mentioning earlier. But instead of “we belong to the night,” here you have “we look out for the signs,” and “we’ve been in this world with only red’s and blue’s,” and “we’ve been lost in the catacombs in our heads.”

To get a better idea of the band’s evolution, I snuck around the Information Superhighway™ and found a couple of older demos from these guys… and I have to say, I’m really glad they eschewed that conformist, proto-screamo sound in favor of this post-hardcore shoegaze genre I’ve invented for them. There might not be something for everyone, but their reach definitely seems wide enough now to garner the interest of a larger nucleus, myself included.

Mp3. “Edward”
Mp3. “Legend on Louisiana”





October 26, 2009 @4:20 pm

Gimli Son of Corvus Son of Corax

A Lord of the Rings tribute band? A new Cirque du Soleil troupe? A Weird Science after party? The best Renaissance Faire ever? Kiss’s “new thing”? Or just pure awesomeness? Meet Corvus Corax.

Corvus Corax





October 13, 2009 @2:09 pm

Sun Sets on the World’s Tallest Man

Watch the progression from one song to the next; as the sun sets on a wintery shoreline; as the singer’s face fades into silhouette. Enjoy the forlorn guitar. Listen closely to the eerie, effortless lyrics. Walk away with a haunted, inspired feeling in your belly.

Thanks to KA-POW! for pointing this out.





October 10, 2009 @6:59 pm

Timber Timbre

Timber Timbre

Tindersticks + Devendra Banhart + M. Ward + Better =
Timber Timbre.

I love this band. They are seriously contending with The Twilight Sad for letter “T” in my 2009 Indie Rock Alphabet. It’s getting vicious already; if you don’t believe me, just ask St. Vincent and Sunset Rubdown.

Here are a few Timber Timbre videos for your aural enjoyment…

Timber Timbre – “We’ll Find Out”

Timber Timbre – “Demon Host”

Timber Timbre – “Oh Messiah”






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